Susannah Melvoin poses next to a photo of Prince at Warner Music Group in Los Angeles on May 31, 2019.'s legacy remains a subject of courtroom litigation, a trio of the maestro's closest confidants have banded together to ensure his catalog and mythical vault are traversed properly.
"Prince was big on Andy Warhol; he had books on him and The Factory," Jones explains. "He was really aware of the way Louis B. Mayer ran MGM, all of that. And that's exactly what it was like at Paisley Park. Everyone had a role, and I was like this innocent, gullible, sweet, unconditional love chick who would always be there no matter what; the real trusting, wide-eyed innocent. And if Prince saw you one way, he could take it really hard if you changed on him.
"I was speaking with Apollonia just the other day," Jones explains. "And we were laughing because each person has their own Polaroid, something framed in their mind about Prince, and each frame is so important. I really think it's like this thread, and maybe over time—I don't know if any of us will be alive by then—but somebody will be able to do a really cool mixed media project and connect all the dots to his multi-verse. It will be fascinating.
"There was a time when the Bangles were invited to hang out with Prince," Hoffs explains. "And we met him at Sunset Sound, where he was recording in Los Angeles. This was long after 'Manic Monday' had come out. And he really just wanted to play music with us. So we went in there, and he had all the gear set up in the studio in the main recording room. You know what the really crazy thing was? He wanted to play Bangles songs, and he knew them all.
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