To our knowledge, only one, and Brazilian tax lawyer Mariana Pavani walked down the aisle on May 11 in the high-tech creation by Dutch couturier, a pioneer in 3D-printed garments whose first such design from 2010, a stiff creation reminiscent of overlapping shells, was recently on displaygown has an otherworldly delicacy, the swarm of futuristic frost across the bodice and throat giving a solid appearance that belies its pliability and durability.“There are no seams.
She noted there were several test runs for the 3D-printed elements, and for the intricate pleating, whose pattern had to match up with the bodice design. “So you have the sculptural elements, but also the fluidity, the movement. And that is dichotomy that I really love,” said the designer, who Pavani also lauded van Herpen’s “amazing team” for making her feel “welcome and part of the creative process. There was also a lot of work to get the final design to fit and feel the right way on my body. They considered everything — the way that the dress fits me, the way the dress moves and feels, and even the length of the veil in relation to the chapel we’re getting married in.”
“I wanted to bring femininity, but with a cutting-edge vibe, because she is someone that is not ordinary at all. She’s really not afraid to express herself,” the designer enthused about Pavani. “We both feel fashion is a form of art. And so she really dares to express herself and to embody that femininity, but also with the influences of new tech.”
“It is a very complicated process. Yes, you have to become familiar in it, but once you get it, I don’t think it’s much more difficult than some of the more traditional ways of working,” van Herpen said.
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