Collider, in its review of the film, wrote, “While there have been plenty of documentaries about beloved actors and comedians that have been brought down by their horrific activities—like last year’s excellent explores a deeper conversation about how normalized shocking behavior has become and if there can or should be a comeback for men like C.K.”Sorry/Not Sorry
. Their support means that the film – and the ideas and questions raised in it – will have life and legs after TIFF, which was always our hope.”Sorry/Not Sorry , added, “The film acts as an extension of The New York Times’ 2017 reporting on Louis C.K., expanding the aperture of the story and the voices included. Drawing on the exclusive access and expertise of our newsroom, the film reframes this story to offer new insights and incite provocative discussions on sex and power in the workplace.”
Greenwich’s Andy Bohn negotiated the acquisition with CAA Media Finance on behalf of The New York Times. Financial terms have not been disclosed.is directed by Caroline Suh and Cara Mones and produced by The New York Times and Left/Right. Producers are Caroline Suh and Cara Mones, and Kathleen Lingo for The New York Times. New York Times’ journalists Melena Ryzik, Cara Buckley and Jodi Kantor, authors of the original 2017 article on Louis C.K., serve as consulting producers.