, but behind it are some of the most experienced players in the European film and TV business. The company is a joint venture set up by Kloiber, who headed German media giant Tele München Group for more than four decades, and German film and TV company Constantin Film, headed by Martin Moszkowicz and Berben.
“We were able to not only cross that storm, but use it, and not just rely on one single partner, but through the situation that we had bring in the best contacts that we had in Europe and the U.S. [to assemble the show’s budget], and that enabled us to create exactly the show [Emmerich and Kreuzpaintner wanted to create],” Berben says.
Kloiber credits Emmerich with being the prime driver for the show from its inception. He explains how the show came to be greenlit. “Roland brought it to us, and at the time it was in the mode of getting greenlit; AGC took a big responsibility, and the deal with Peacock then followed, and pretty much simultaneously, we bought it for the European territories. And so, I think you can say it was very much Roland’s initiative, and he pushed very hard.
Berben adds: “Everybody’s looking for an IP or a big brand, and here basically you have two things. First, you have one of the biggest IPs in cinema, which is Roland himself. The whole thing relies on a non-fiction book [by Daniel P.
Berben says: “Also, one more thing is that a third of the budget of the whole Roman state was put into these games at the Colosseum. So, you know that what they were doing was more than just fun; it was to control the masses.” Berben adds that “Those About to Die” demonstrates “there are possibilities in creating material for the worldwide audience, not just through the U.S., but also through the European output.”
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