and two friends to co-found Inkblot Productions in 2010, which has since become one of Africa’s leading production houses.
Over the past 12 years, Inkblot has become one of Africa’s leading production houses, what do you attribute to its success and growth especially in a country like Nigeria? The Cannes Film Festival is the biggest film festival in the world and I am thrilled to be on a couple of panels there to lend my thoughts on creative Africa and our uniqueness, international co-productions and its possibilities, cross cultural growth and the power of media as well as the impact women in film have made in the short time they have found their voice.
Creative Africa is in the spotlight and I am so proud of what Inkblot achieved entering this deal and what it means for the African film industry.